MANEL
STYLES
Minimalist, Abstract, Playful, Geometric, Chromatic
ARTIST
ArtCore
BASED IN
Spain
This collection explores the dialogue between form and emptiness, redefining the canvas as a space where the non-material speaks louder than the visible. Each gesture appears suspended in a field of openness, revealing that true depth can emerge from simplicity.
In this body of work, Manel develops a radical exploration of space as the main subject of his visual language. His paintings are not built around objects, but around intervals. Every mark, stroke or fragment becomes significant because of the vastness that surrounds it. The void is not something to be filled, but a protagonist in itself.
Each painting exists as a field of balance between presence and absence. The gestural elements—at times playful, at times precise—seem to float in a serene and expansive atmosphere. They resist interpretation, offering instead a state of contemplation. There is joy in their randomness, but also discipline in their restraint.
Manel’s collection brings a poetic reflection on the invisible. By engaging the viewer in the silent dialogue between what is painted and what is left untouched, he opens a space for introspection. It is a visual meditation on perception, where the eye is guided not only by color and shape, but by the tension between stillness and motion, matter and potential.
This is not just minimalism. It is a philosophy of form, where every mark is meaningful and every blank space becomes a portal. A collection that does not impose, but rather invites the viewer to slow down, observe, and inhabit the artwork with presence.
This collection explores the dialogue between form and emptiness, redefining the canvas as a space where the non-material speaks louder than the visible. Each gesture appears suspended in a field of openness, revealing that true depth can emerge from simplicity.
In this body of work, Manel develops a radical exploration of space as the main subject of his visual language. His paintings are not built around objects, but around intervals. Every mark, stroke or fragment becomes significant because of the vastness that surrounds it. The void is not something to be filled, but a protagonist in itself.
Each painting exists as a field of balance between presence and absence. The gestural elements—at times playful, at times precise—seem to float in a serene and expansive atmosphere. They resist interpretation, offering instead a state of contemplation. There is joy in their randomness, but also discipline in their restraint.
Manel’s collection brings a poetic reflection on the invisible. By engaging the viewer in the silent dialogue between what is painted and what is left untouched, he opens a space for introspection. It is a visual meditation on perception, where the eye is guided not only by color and shape, but by the tension between stillness and motion, matter and potential.
This is not just minimalism. It is a philosophy of form, where every mark is meaningful and every blank space becomes a portal. A collection that does not impose, but rather invites the viewer to slow down, observe, and inhabit the artwork with presence.
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